Optical Art, commonly known as Op Art, emerged in the mid-20th century as an influential and visually dynamic art
movement. Originating in the early 1960s, Op Art is characterized by its use of optical illusions and perceptual effects
to engage and captivate the viewer. Artists associated with this movement sought to explore the possibilities of visual
perception through geometric patterns, vibrant colors, and precise compositions.
Op Art often employs the manipulation of lines, shapes, and colors to create mesmerizing optical effects that seem to
shift, vibrate, or pulsate. The artworks are meticulously crafted to induce a sense of movement or depth, challenging
the viewer's perception and creating an immersive visual experience. Key elements of Op Art include the deliberate use
of contrasts, repetition, and precise arrangements to evoke a sense of optical ambiguity and illusion.
Bridget Riley
Bridget Riley is a British artist known for her contributions to the Op Art movement. Born on April 24, 1931, in London,
England, Riley gained prominence in the 1960s for her distinctive abstract paintings that often create optical illusions
and visual effects through the use of geometric patterns and contrasting colors.
Riley's works typically feature repetitive patterns, stripes, and contrasting colors, engaging the viewer's perception
and creating a sense of movement.
One of her most famous works is "Movement in Squares" (1961), which exemplifies her exploration of visual perception and
optical effects. Riley's influence extends beyond her paintings, as she has played a significant role in the development
and popularization of Op Art as an art movement. Her career has spanned several decades, and she continues to create art
that explores the relationship between form, color, and perception.
